Heretic Pride
Tracklist + Lyrics:
Sax Rohmer #1
Fog lifts from the harbor, dawn goes down to day
An agent crests the shadows of a nearby alleyway
Piles of broken bricks, signposts on the path
Every moments points toward the aftermathSailors straggle back from their nights out on the town
Hopeless urchins from the city gather around
Spies from imperial China wash in with the tide
Every battle heads toward surrender on both sidesAnd I am coming home to you
With my own blood in my mouth
And I coming home to you
If it's the last thing that I doBells ring in the tower, wolves howl in the hills
Chalk marks show up on a few high windowsills
And a rabbit gives up somewhere and a dozen hawks descend
Every moment leads toward its own sad endShips loosed from their moorings capsize and then they're gone
Sailors with no captains watch a while and then move on
And an agent crests the shadows and I head in her direction
All roads lead toward the same blocked intersectionI am coming home to you
With my own blood in my mouth
And I am coming home to you
If it's the last thing that I doSan Bernardino
We got in your car and we hit the highway
Eastern sun was rising over the mountains
Yellow and blood-red bits
Like a kaleidoscopeAnd flaming swords may guard the garden of Eden
But we consulted maps from earlier days
Dead languages on our tongues
Holding onto our last hopeAnd the day was bright and fine
And the highway sign
Said "San Bernardino
Welcomes you!"I checked us into our motel and filled the bathtub
And you got in the warm, warm water
I pulled petals from my pocket
I loved you so much just thenAnd it was hard, but you were brave, you are splendid
And we will never be alone in this world
No matter what they say
We're going to be okayWe were safe inside
And our new son cried
"San Bernardino
Welcomes you!"Heretic Pride
Well, they come and pull me from my house
And they drag my body through the streets
And the sun's so hot I think I'll catch fire and burn up
In the summer air so moist and sweetAnd the people all come out to cheer
Rocks in the pathway break my skin
And there's honeysuckle on the faint breeze today
With every breath I'm drawing inI want to cry out
But I don't scream and I don't shout
And I feel so proud to be alive
And I feel so proud when the reckoning arrivesThe crowds grow denser by the second
As we near the center of the town
And they dig a trench right in the main square right there
And they pick me up and throw me downAnd I start laughing like a child
And I mark their faces one by one
Transfiguration's going to come for me at last
And I will burn hotter than the sunI waited so long
And now I taste jasmine on my tongue
And I feel so proud to be alive
And I feel so proud when the reckoning arrivesAutoclave
Hand me your hand, let me look in your eyes
As my last chance to feel human begins to vaporize
Maybe it's the heat in here, maybe it's the pressure
You ought to head for the exits, the sooner the betterI am this great, unstable mass of blood and foam
And no one in her right mind would make my home her home
My heart's an autoclave
My heart's an autoclaveWhen I try to open up to you, I get completely lost
Houses swallowed by the earth, windows thick with frost
And I reach deep down within but the pathways twist and turn
And there's no light anywhere and nothing left to burnI am this great, unstable mass of blood and foam
And no emotion that's worth having could call my heart its home
My heart's an autoclave
My heart's an autoclaveI dreamt that I was perched atop a throne of human skulls
On a cliff above the ocean, howling wind and shrieking seagulls
And the dream went on forever, one single static frame
Sometimes you want to go where everybody knows your nameAnd I am this great, unstable mass of blood and foam
And no one in her right mind would make her home my home
My heart's an autoclave
My heart's an autoclaveNew Zion
There were signs up in the sky
When we gathered by the garden wall
Everybody on his best behavior
Listening for the altar callHigh priest of Salem in his robes
Ranting of the coming of the day
Ravens at the gates
Frightening all the visitors awayI lay down by the water
Dreamed a dream of where I come from
Old things made new
Waiting for youThere were wooden wind chimes rustling
In the trees above the anthills on the dunes
On the high winds, we could hear them
Old familiar tunesThe little bit of faith we had once
Like the memory of a movie
They got burned up in the great fire
Reassembling itself slowly by surelyI lay down by the water
Dreamed a dream of where I come from
Old things made new
Waiting for youSo Desperate
We were parked in your car
In our neutral meeting place, the Episcopalian churchyard
I had things I'd been meaning to say
But in the dazzling winter sun that late, I could feel them melt awayAnd through the warm radio static
I couldn't hear my stage directions
And the fog on the windshield
Obscured our sad reflectionsI felt so desperate
In your arms
I felt so desperate
In your armsWe were parked near some trees
And the moonlight soaked the branches in ever deepening degrees
Had my hand in your hair
Trying to keep my cool until it became too much to bearWhen we cracked the windows open
Well, the air was just so sweet
We could hear the cars ten feet away
Out there in the streetI felt so desperate
In your arms
I felt so desperate
In your armsIn the Craters on the Moon
If the strain proves too much
Give up right away
If the light hurts your eyes
Stay in your room all dayWhen the room fills with smoke
Lie down on the floor
In the declining years
Of the long warWhen the blood's in the water
And the shark's going to come
And we swim in the dark
Until our bodies are numbBlind desert rats in the moonlight
Too far from shore
In the declining years
Of the long warEmpty room with a light bulb
When the phone starts to ring
Everybody gets nervous
Nobody says anythingThe next day someone's initials
Show up on the door
I think I'm going to crack
Can't live like this anymoreUgly things in the darkness
Worse things in store
In the declining years
Of the long warLovecraft in Brooklyn
It's going to be too hot to breathe today but everybody's out here on the streets
Somebody's opened up the fire hydrant, cold water rushing out in sheets
Some kid in a Marcus Allen jersey asks me for a cigarette
Companionship is where you find it, so I take what I can getHubcaps on the cars like fun house mirrors
Stick to the shadows when I can
Lovecraft in BrooklynWhen the sun goes down, the armies of the voiceless, several hundred thousand strong
Come out without their bandages, their voices raised in song
When the streetlights sputter out, they make this awful sizzling sound
I cast my gaze toward the pavement, too many blood stains on the groundRhode Island drops into the ocean
No place to call home anymore
Lovecraft in BrooklynHead outside most every day
To try to keep the wolves away
Imagine nice things I might say
If company should comeWoke up afraid of my own shadow, I mean, like genuinely afraid
Headed for the pawnshop to buy myself a switchblade
Someday something's coming from way out beyond the stars
To kill us while we stand here, it'll store our brains in mason jarsAnd then the girl behind the counter
She asks me how I feel today
I feel like Lovecraft in BrooklynTianchi Lake
Children by the water banks
Laughing long and loud
Changbai's high, fine western peaks
Just beneath the cloudsCurrents in the water
Churning in their course
Body of a sea lion
Head just like a horsePreacher in the soft, brown sand
Begins to speak his peace
High wings in the treetops
Low flying winter geeseNo one taking pictures
Everybody still
And then the water sought its course again
The way that waters willNo one at the lakeside now
Moon up in the sky
Night birds in the dragon spruce
Moaning long and highBackstroking on the surface
Moonlight on its face
Floats the Tianchi monster
Staring into spaceOut around the temple now
Narcissus in bloom
Sensors packed with sandalwood
Send smoke into the roomChildren in the sand outside
On their hands and knees
Sketching pictures all day long
Of stranger things than theseHow To Embrace A Swamp Creature
Got out of bed, could not remember my own name
Condemned to walk the soil amongst all creatures wild and tame
Go where I go, do what I must
Crawl, starving, on my belly, licking up the dry dustI see the light in your window
Ride the elevator to the sixth floor
Stand with my arms at my sides
As you open up the doorBut I'm out of my element
I can't breathe
I'm out of my element
I can't breatheAlone with your bathroom mirror, try to get my head straight
Breathe on the glass and wait for it to clear, clean slate
Meet up with you in the kitchen where the air is hot and dry
Open up all the faucets, be fruitful and multiplyI stand where
The flashing swords gleam
And I try to shake my head
Clear of the dreamBut I'm out of my element
I can't breathe
I'm out of my element
I can't breatheI start to sweat, I can't cool down
I'm scared of all the strangers in this town
I try to tell you just why I've come
It's like I've got molasses on my tongueI made it through town somehow
But who's gonna save me now?I'm out of my element
I can't breathe
I'm out of my element
I can't breatheMarduk T-Shirt Men's Room Incident
Slumped up against the sink
Hair plastered to her cheeks
Marduk t-shirt sticking to her skin
Refugee from a disco in old East BerlinWeightless
Formless
Blameless
NamelessStray syllables were gurgling
From her throat, one at a time
Face hidden from my view
I let myself imagine she was youOnly weightless
Formless
Blameless
NamelessAnd when I washed my hands
I ran the water hotter than I could stand
Half rising to a crouch
Sinking back down to the floorIn your walking, keep your head low
Try to leave no traces when you goStay weightless
Formless
Blameless
NamelessSeptember 15 1983
Long dinner with some friends way out, way out in Portmore
Servants of the pharaoh slip in through an open door
All business, bearing knives and zip guns
So get on the floor now, every last one, every last oneThe heat drifts
Across the land
If I forget you, Israel
Let me forget my right handAnd on the floor, Michael James Williams feels his fingers start to freeze
And the whole scene's like a movie, paramedics on their knees
Try, try your whole life to be righteous and be good
Wind up on your own floor, choking on bloodThe heat drifts
Across the land
If I forget you, Israel
Let me forget my right handAnd the house still smells like onions when the ambulance arrives
Gabriel in postal blue loads up the car and drives
To Spanish town, about three miles away
Where will the wicked run to on that last day, on that last day?The heat drifts
Across the land
If I forget you, Israel
Let me forget my right handMichael Myers Resplendent
I am ready for my close-up today
Too long I've let my self-respect stand in my way
Well, the prom queen's caught in the high beams
And the strings keen, it's a big sceneBut when the house goes up in flames
No one emerges triumphantly from it
When the scum begins to circle the drain
Everybody loves a winnerI spent eight hours in my makeup chair
Waxed my chest and shaved off all my hair
Well, the fire's bright and the frame's tight
Try to get right while we've still got lightBut when the house goes up in flames
No one emerges triumphantly from it
When the scum begins to circle the drain
Everybody loves a winnerWhen the house goes up in flames
When the scum begins to circle the drain
Vinyl Details
Much like Tallahassee, this is a normal black vinyl with good sound quality. The A side ends with "In the Craters on the Moon," which is nice, since I like to skip "Lovecraft in Brooklyn" by just dropping the needle after it on the B side.
Personal Thoughts
I can't remember for sure how I got introduced to this album, but I think it was through "Autoclave" somehow. That's still my favorite track from here. I remember the first time I worked in a hospital cleanroom, making IV bags and having that song stuck in my head the whole time. (I did not actually do any autoclaving at the hospital. I did get to see live medical leeches though, which was objectively cooler.) "Autoclave" is SUCH a Vanitas (and Vanqua) song to me, which probably contributes to me loving it so much. If Kingdom Hearts designs weren't so annoying to draw, I'd make an animatic of them to it for sure. "I am this great, unstable mass of blood and foam / And no emotion that's worth having could call my heart its home" just. Kill me okit's HIM that's my BOYYYY someone give him a hug and a juice box. Also "Sometimes you want to go where everybody knows your name" is one of the lines to belt ever
Okay I talked a lot about Autoclave but the other tracks are great too. "How to Embrace a Swamp Creature" is probably my #2 (and incidentally gives me huge Luxu Building / 6D Chess Xigxem vibes, for the one-to-two people who understand that). "Sax Rohmer #1" is also super fun to sing loudly.
Like Tallahassee, this album has a bunch of tracks with titles that aren't pulled from the lyrics. Unlike Tallahassee, I have no idea what most of them mean lol. (With the exception of "How to Embrace a Swamp Creature," which I like to think is a literal swamp creature trying to survive in the city.)
Speaking of swamp creatures and the like - this album has a really neat theme of cryptids and monsters mixed with very human emotions. At least, that's the impression that I get. (It reminds me a lot of Lemon Demon's Spirit Phone in that way, though that album also has the "capitalism sucks" angle to it.) There's also obviously a lot of religious imagery going on, which is an extra fun contrast, though I don't know enough about the singer's pov to make much of an analysis other than It's Neat.
Hmmm I think that's all I've got on this one. Except that I like to picture "Michael Myers Resplendent" being sung from Shrek's pov <3